{"title":"Art History \u0026 Theory","description":"","products":[{"product_id":"lost-battles-leonardo-michelangelo-and-the-artistic-duel-that-defined-the-renaissance","title":"Lost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eLost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eJonathan Jones\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780307594754\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eKnopf\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e2012\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003eHardcover\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eFirst Edition\n\u003cbr\u003e\u003cb\u003eNumber of Pages: \u003c\/b\u003e368\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eExcellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.\n\u003cbr\u003e\u003cb\u003ePublisher Description: \u003c\/b\u003eFrom one of Britain's most respected and acclaimed art historians, art critic of \"The\"\"Guardian\"--the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. \u003cbr\u003e We see Leonardo, having just completed \"The Last Supper, \" and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting--the \"Mona Lisa\"--being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. \u003cbr\u003eAnd Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. \u003cbr\u003eIn \"The Lost Battles,\" published in England to great acclaim (\"Superb\"--\"The Observer; \"\"Beguilingly written\"--\"The Guardian\"), \"\"Jonathan Jones brilliantly sets the scene of the time--the politics; the world of art and artisans; and the shifting, agitated cultural landscape. \u003cbr\u003eWe see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. \u003cbr\u003eJones reconstructs the paintings that Leonardo and Michelangelo undertook--Leonardo's \"Battle of Anghiari,\" a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo's \"Battle of Cascina,\" a call to arms and the first great transfiguration of the erotic into art. 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In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: . \"O My America, My New Founde Land\" explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. \"The Republic of Virtue\" sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. \"The Wilderness and the West\" discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as \"the fingerprint of God's creation, \" and of those who recorded America's westward expansion - George Caleb Bingham, Albert Bierstadt, and Frederic Remington - and the accompanying shift in the perception of the Indian, from noble savage to outright demon. \"American Renaissance\" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and thebeaux-arts buildings of Stanford White and his partners. \"The Gritty Cities\" looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, and the trompe-l'oeil painters.\u003c\/body\u003e","brand":"Knopf","offers":[{"title":"American Visions: The Epic History of Art in America | Robert Hughes | Hardcover | 0679426272 | Used: Good | Back Stacks E 1784651","offer_id":67698131566744,"sku":"1784651","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1609\/4360\/files\/71qdgTi4jWL.jpg?v=1791855246"},{"product_id":"art-of-medieval-technology-images-of-noah-the-shipbuilder","title":"Art of Medieval Technology: Images of Noah the Shipbuilder","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eArt of Medieval Technology: Images of Noah the Shipbuilder\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eRichard W Unger\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780813517278\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eRutgers University Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1991\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003eHardcover\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eFirst Edition\n\u003cbr\u003e\u003cb\u003eNumber of Pages: \u003c\/b\u003e166\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eClean, unmarked copy with some edge wear. 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Using a selection of art and art forms from ancient to contemporary masters, these provocative board books for adults will make you look again.\u003c\/body\u003e","brand":"Sourcebooks Inc","offers":[{"title":"Bottoms | Sourcebooks Inc | Hardcover | 9781570716003 | Used: Like New | Back Stacks B 1778279","offer_id":67698726699160,"sku":"1778279","price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1609\/4360\/files\/41YVB3QSXHL.jpg?v=1791872951"},{"product_id":"patron-saints-five-rebels-who-opened-america-to-a-new-art-1928-1943","title":"Patron Saints: Five Rebels Who Opened America to a New Art 1928-1943","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003ePatron Saints: Five Rebels Who Opened America to a New Art 1928-1943\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eNicholas Fox Weber\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780394578545\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eKnopf\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1992\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003eHardcover\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eFirst Edition\n\u003cbr\u003e\u003cb\u003eNumber of Pages: \u003c\/b\u003e398\n\u003cbr\u003e\u003cb\u003eCondition: \u003c\/b\u003eUsed Copy\u003c\/body\u003e","brand":"Knopf","offers":[{"title":"Patron Saints: Five Rebels Who Opened America to a New Art 1928-1943 | Nicholas Fox Weber | Hardcover | 9780394578545 | Used: Very Good | Art History \u0026 Theory 1778048","offer_id":67698738430104,"sku":"1778048","price":7.95,"currency_code":"USD","in_stock":true},{"title":"Patron Saints: Five Rebels Who Opened America to a New Art 1928-1943 | Nicholas Fox Weber | Hardcover | 9780394578545 | Used: Very Good | Art History \u0026 Theory 1375618","offer_id":67723437834392,"sku":"1375618","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1609\/4360\/files\/61zTmKfd34L.jpg?v=1791873625"},{"product_id":"archaism-modernism-and-the-art-of-paul-manship","title":"Archaism, Modernism, and the Art of Paul Manship","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eArchaism, Modernism, and the Art of Paul Manship\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eSusan Rather\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780292760356\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eUniversity of Texas Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1993\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003eHardcover\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eFirst Edition\n\u003cbr\u003e\u003cb\u003eNumber of Pages: \u003c\/b\u003e284\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eClean, unmarked copy with some edge wear. 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To this end--and against the background of Manship's career--she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modem dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism.\u003c\/p\u003e\n\u003cp\u003eRather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism--including Aristide Maillol, André Derain, and Constantin Brancusi--renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. 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Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism--and of Manship, its most visible exemplar--by the avant-garde. 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I loved every word.\" --Suleika Jaouad, \u003ci\u003eNew York Times \u003c\/i\u003ebestselling author of\u003ci\u003e Between Two Kingdoms\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\n\u003ci\u003e \u003c\/i\u003eThe \u003ci\u003eNew York Times\u003c\/i\u003e bestselling author of \u003ci\u003eCork Dork\u003c\/i\u003e takes readers on another fascinating, hilarious, and revelatory journey--this time burrowing deep inside the secretive world of art and artists \u003cp\u003e\u003c\/p\u003eAn award-winning journalist obsessed with obsession, Bianca Bosker's existence was upended when she wandered into the art world--and couldn't look away. Intrigued by artists who hyperventilate around their favorite colors and art fiends who max out credit cards to show hunks of metal they think can change the world, Bosker grew fixated on understanding why art matters and how she--or any of us--could engage with it more deeply. \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eGet the Picture\u003c\/i\u003e, Bosker throws herself into the nerve center of art and the people who live for it: gallerists, collectors, curators, and, of course, artists themselves--the kind who work multiple jobs to afford their studios while scrabbling to get eyes on their art. 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