University of Massachusetts Press
Language as Object: Emily Dickinson and Contemporary Art
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Title: Language as Object: Emily Dickinson and Contemporary Art
Author: Susan Danly
ISBN: 9781558490666
Publisher: University of Massachusetts Press
Published: 1997
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
H 1644840
Publisher Description:
Produced in conjunction with an exhibition organized by the Mead Art Museum at Amherst College, this handsome volume explores the impact of Emily Dickinson's persona and poetry on contemporary art in America. Spurred by feminism and recent critical writings, many visual artists have turned to the poet's life and literary images for inspiration. They have engaged the issues raised by her poetry and the particular circumstances of her life and have attempted to transform her oblique language into tangible objects. Presenting the work of thirteen artists, as well as ten poets, this book showcases a wide range of responses to Dickinson's poetry. Three introductory essays set the stage for the artworks: Karen Sanchez-Eppler examines the visual dynamic in Dickinson's poetry; Polly Longsworth traces the ways in which the famous daguerreotype of Dickinson has conditioned our responses to her; and Christopher Benfey surveys her imprint on contemporary American poetry. Each of the artist entries is accompanied by a color illustration and the text of a related Dickinson poem. The artists include Will Barnet, Judy Chicago, Joseph Cornell, Robert Cumming, Lesley Dill, Mary Frank, Roni Horn, Carla Rae Johnson, Paul Katz, Barbara Morgan, Aife Murray, Barbara Penn, and Linda Schwalen. The poets whose work is represented are Hart Crane, Richard Wilbur, John Berryman, Adrienne Rich, Amy Clampitt, Sandra M. Gilbert, Thomas Lux, Mary Jo Salter, Lucie Brock-Broido, and Agha Shahid Ali.
Author: Susan Danly
ISBN: 9781558490666
Publisher: University of Massachusetts Press
Published: 1997
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
H 1644840
Publisher Description:
Produced in conjunction with an exhibition organized by the Mead Art Museum at Amherst College, this handsome volume explores the impact of Emily Dickinson's persona and poetry on contemporary art in America. Spurred by feminism and recent critical writings, many visual artists have turned to the poet's life and literary images for inspiration. They have engaged the issues raised by her poetry and the particular circumstances of her life and have attempted to transform her oblique language into tangible objects. Presenting the work of thirteen artists, as well as ten poets, this book showcases a wide range of responses to Dickinson's poetry. Three introductory essays set the stage for the artworks: Karen Sanchez-Eppler examines the visual dynamic in Dickinson's poetry; Polly Longsworth traces the ways in which the famous daguerreotype of Dickinson has conditioned our responses to her; and Christopher Benfey surveys her imprint on contemporary American poetry. Each of the artist entries is accompanied by a color illustration and the text of a related Dickinson poem. The artists include Will Barnet, Judy Chicago, Joseph Cornell, Robert Cumming, Lesley Dill, Mary Frank, Roni Horn, Carla Rae Johnson, Paul Katz, Barbara Morgan, Aife Murray, Barbara Penn, and Linda Schwalen. The poets whose work is represented are Hart Crane, Richard Wilbur, John Berryman, Adrienne Rich, Amy Clampitt, Sandra M. Gilbert, Thomas Lux, Mary Jo Salter, Lucie Brock-Broido, and Agha Shahid Ali.
