Talisman House, Publishers
Collected Poems: 1919-1979
Regular price
$176.45 USD
Regular price
Sale price
$176.45 USD
Unit price
per
Shipping calculated at checkout.
Couldn't load pickup availability
Title: Collected Poems: 1919-1979
Author: Madeline Gleason
ISBN: 9781883689773
Publisher: Talisman House, Publishers
Published: 1999
Binding: Paperback
Language: English
Edition: First Edition
Number of Pages: 265
Condition: Used Copy
Publisher Description: Poetry. Women's Studies. A key figure in the San Francisco Renaissance, Madeline Gleason (1903-1979) is among the principal poets in the history of women's writing. Associated early in her career with Robert Duncan and James Broughton, she was also much respected by the Beats, and she was one of the few women whose work was included in Donald Allen's landmark anthology, The New American Poetry (1960). Here is a true born poet, of which there are always too few: a poet who cannot help thinking poetically and singing out of herself--James Broughton. In her own works she created a transition from the passional poetry close to Yeats as a master to an exuberant individual creation swinging in an ambit that could include Mother Goose and, long before 'Pop Art, ' the voices of individual America--Robert Duncan. Edited and with a preface by Christopher Wagstaff
Author: Madeline Gleason
ISBN: 9781883689773
Publisher: Talisman House, Publishers
Published: 1999
Binding: Paperback
Language: English
Edition: First Edition
Number of Pages: 265
Condition: Used Copy
Publisher Description: Poetry. Women's Studies. A key figure in the San Francisco Renaissance, Madeline Gleason (1903-1979) is among the principal poets in the history of women's writing. Associated early in her career with Robert Duncan and James Broughton, she was also much respected by the Beats, and she was one of the few women whose work was included in Donald Allen's landmark anthology, The New American Poetry (1960). Here is a true born poet, of which there are always too few: a poet who cannot help thinking poetically and singing out of herself--James Broughton. In her own works she created a transition from the passional poetry close to Yeats as a master to an exuberant individual creation swinging in an ambit that could include Mother Goose and, long before 'Pop Art, ' the voices of individual America--Robert Duncan. Edited and with a preface by Christopher Wagstaff
