University of Chicago Press
Emotion and Meaning in Music
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Title: Emotion and Meaning in Music
Author: Leonard B Meyer
ISBN: 9780226521398
Publisher: University of Chicago Press
Published: 1961
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
I 1667936
Publisher Description:
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."--David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."--Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."--David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."--Marcus G. Raskin, Chicago Review
Author: Leonard B Meyer
ISBN: 9780226521398
Publisher: University of Chicago Press
Published: 1961
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
I 1667936
Publisher Description:
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."--David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."--Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."--David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."--Marcus G. Raskin, Chicago Review
