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Future of the Image
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Title: Future of the Image
Author: Jacques Ranciere
ISBN: 9781788736541
Publisher: Verso
Published: 2019
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
I 1671909
Publisher Description:
Lauded by major contemporary artists and philosophers, Jacques Rancière's work returns politics to its central place in understanding art. In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image incontemporary art, showing how art and politics have always beenintrinsically intertwined. Covering a range of art movements, filmmakers such as Godard and Bresson, andthinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard andGreenberg, Rancière shows that contemporary theorists of the image aresuffering from religious tendencies. He argues that there is a starkpolitical choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never apure art: the aesthetic revolution must always embrace egalitarianideals.
Author: Jacques Ranciere
ISBN: 9781788736541
Publisher: Verso
Published: 2019
Binding: Paperback
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
I 1671909
Publisher Description:
Lauded by major contemporary artists and philosophers, Jacques Rancière's work returns politics to its central place in understanding art. In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image incontemporary art, showing how art and politics have always beenintrinsically intertwined. Covering a range of art movements, filmmakers such as Godard and Bresson, andthinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard andGreenberg, Rancière shows that contemporary theorists of the image aresuffering from religious tendencies. He argues that there is a starkpolitical choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never apure art: the aesthetic revolution must always embrace egalitarianideals.
