Cambridge University Press
'Hamlet' Without Hamlet
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Title: 'Hamlet' Without Hamlet
Author: Margreta de Grazia
ISBN: 9780521690362
Publisher: Cambridge University Press
Published: 2007
Binding: Paperback
Language: English
Number of Pages: 280
Condition Note: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
Publisher Description: 'Hamlet' without Hamlet sets out to counter the modern tradition of abstracting the character Hamlet from the play. For over two centuries, Hamlet has been valued as the icon of consciousness: but only by ignoring the hard fact of his dispossession. By admitting that premise, this book brings the play to life around man's relation to land, from graves to estate to empire. Key preoccupations are thereby released, including the gendered imperatives of genealogy, and man's elemental affinity to dust. As de Grazia demonstrates from the 400 years of Hamlet's afterlife, such features have disappeared into the vortex of an interiorized Hamlet, but they remain in the language of the play as well as in the earliest accounts of its production. Once reactivated, a very different Hamlet emerges, one whose thoughts and desires are thickly embedded in the worldly, and otherworldly, matters of the play: a Hamlet within Hamlet.
Author: Margreta de Grazia
ISBN: 9780521690362
Publisher: Cambridge University Press
Published: 2007
Binding: Paperback
Language: English
Number of Pages: 280
Condition Note: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
Publisher Description: 'Hamlet' without Hamlet sets out to counter the modern tradition of abstracting the character Hamlet from the play. For over two centuries, Hamlet has been valued as the icon of consciousness: but only by ignoring the hard fact of his dispossession. By admitting that premise, this book brings the play to life around man's relation to land, from graves to estate to empire. Key preoccupations are thereby released, including the gendered imperatives of genealogy, and man's elemental affinity to dust. As de Grazia demonstrates from the 400 years of Hamlet's afterlife, such features have disappeared into the vortex of an interiorized Hamlet, but they remain in the language of the play as well as in the earliest accounts of its production. Once reactivated, a very different Hamlet emerges, one whose thoughts and desires are thickly embedded in the worldly, and otherworldly, matters of the play: a Hamlet within Hamlet.
